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Īn author or creator basing a character on a real person can use a person they know, a historical figure, a current figure whom they have not met, or themselves, with the latter being either an author-surrogate or an example of self-insertion.
![characters characters](https://d1lss44hh2trtw.cloudfront.net/assets/editorial/2015/07/Goofy.jpg)
Literary scholar Patrick Grant matches characters from The Lord of the Rings with Jungian archetypes. The relation between characters and the action of the story shifts historically, often miming shifts in society and its ideas about human individuality, self-determination, and the social order. The individual status of a character is defined through the network of oppositions (proairetic, pragmatic, linguistic, proxemic) that it forms with the other characters. The study of a character requires an analysis of its relations with all of the other characters in the work. The characters in Henrik Ibsen's Hedda Gabler (1891) and August Strindberg's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender, such that the conflicts between the characters reveal ideological conflicts. Types include both stock characters and those that are more fully individualised. Ī character who stands as a representative of a particular class or group of people is known as a type. Since the 19th century, the art of creating characters, as practiced by actors or writers, has been called characterisation. Since the end of the 18th century, the phrase "in character" has been used to describe an effective impersonation by an actor. In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. (Before this development, the term dramatis personae, naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". From this, the sense of "a part played by an actor" developed. Derived from the ancient Greek word χαρακτήρ, the English word dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). Somehow still more profitable and famous than all of its competition.Four commedia dell'arte characters, whose costumes and demeanor indicate the stock character roles that they portray in this genre.
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Barista intuits your order by looking deep into your eyes. Probably hidden under an abandoned Chili’s and accessible only by secret knock.
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Owner gets salty if you complain about the Bible verses on the cups. Kitschy gimmick where the façade of the store looks like a ship. Only one New Bedford location but gets a worldwide draw. If you call your cup “cute,” he will physically fight you. Serves espresso in itty bitty cups to make the owner’s hands look bigger. Avoid like the plague if you’re not a morning person, but the people who like it really like it. Everyone is referred to as a “crew member” and sings shanties at you for tips. Drink sizes are “Tall,” “Very Tall,” and “NBA All-Star.” Stubbs Chill atmosphere, but if you make that “I like my coffee the way I like my men…” joke, you’ll be thrown out on your ass. Uses earthenware mugs so big that you could fall into them. Serves coffee so strong that you’ll stop sleeping and think you can see God. Drink sizes are “Duodecimo,” “Octavo,” and “Folio.” Pips If you wear a hat inside, it will be knocked off. (And half of what he says is reportedly bullshit.) Never gives you the right drink, but it tastes so good that you won’t complain. The guy at the counter will not shut up, so be prepared to wait while you learn about the geographic origins of the beans, every step of the milling and roasting process, and the childhood of the guy who invented the milk foamer. Drink sizes are “Smallee,” “Biggee,” and “Coffin.” Ishmaels If you and the boss touch foreheads, he will give you half his salary. In lieu of tips, you leave an offering at the altar of Yojo. The barista is always a hot tattooed guy with an asymmetrical haircut. Owner makes a big deal of nailing the communal tip jar to the front counter but takes all the tips for himself at the end of the day. Employees never know when their shifts will be over.